led screens, motors, aluminium, acrylic
comprsd-ads is a sculpture of kinetic light, a structure that opens and closes on itself. LED panels, in movement, used worldwide as a support for ads, face each other creating an absurd situation where we are no longer the main onlookers. The light reflects itself, publicity addresses publicity.
The use of LED screens as elements to modulate the architecture of the exhibition or performance space is a recurring theme of the artist’s work. These modulated spaces create an oscillation between interior and exterior, introversion and extraversion. The visual content modulating these spaces is synthesized by realtime digital modular networks. The artist sees synthesis, in it’s many forms, as his medium, and cultivates his relationship to it through design, interaction and improvisation. Here engineer of the absurd, Lucas Paris looks to express a perceptual suffocation in a saturation of air, volume and minds by advertising and marketing while aesthetics of industrial design in the installation’s detailed sculptural elements echo a certain fetishization of machinerie, engineering and technology.
This concept is coded into the core of realtime generative networks, synthesizing morphing textures of light and sound from a common DNA and fine tuned according to perceptual mechanics.
This performance was created in residency at Recto-Verso Québec (CA), Gnration Braga (PT) and with the support of L.E.V. festival at Laboral Centro de Arte Gijon (ES)